The Garage Games | Nikon D500

Photography of Garage Games Contestant
Nikon D500, 17-55mm f2.8G ED, f4, 1/500th, ISO 140, ©Rick Lewis 2017

The Garage Games started in Woodstock, Georgia, in 2010.  Athletes from around the entire United States compete in scores of competitions around the country.  Many athletes come from a CrossFit® gym or that type of training.  I learned though that CrossFit® is not affiliated in any way with the Garage Games.  Combat on the Coosa is a Garage Games event held each year at Gold Star Memorial Park in Wetumpka, Alabama and I wanted to photography it using my Nikon D500 with it’s amazing continuous autofocus ability.  The local event is called Combat on the Coosa, with the Coosa River a stone’s through away.  This Blog post is about my efforts at editorial photography using the fairly new Nikon D500, APC-C flagship.  I used the 17-55mm f2.8G ED Nikkor lens for all the shots.

Photography of Garage Games Series Event
Nikon D500, 17-55mm f2.8G ED, f8, 1/800th, ISO 560, @Rick Lewis 2017

I shot this event last year using a Fuji X-Pro2 and had limited success trying to focus on the competitors.  They move very quickly in an up and down position and sometimes hold a position for several seconds before dropping the weights.  The continuous focus and focus tracking just could not quickly acquire, track and then hold focus about 60% of the time.  It was very frustrating.  I can’t really fault that camera because it was never intended to be able to shoot sports confidently.  That’s not what the X-Pro2 was designed for.  It is great for street photography and general travel photography but for sports; not so much.

This year I took my Nikon D500 and my hit rate for in-focus images was probably around 98%!  I’m not kidding.  I took 599 images, all using continuous focus with a variety of the focus tracking options, and I had around 12 images that were soft.  None were total losses.  That is amazing to me.

I really enjoyed shooting this event; Combat on the Coosa.  The contestants were mostly on the young side but you will see in the ensuing images that not all were in their teens or 20’s.  They all had tremendous confidence and competitive spirit.  The people not competing were all cheering them on. There were all body types and sizes as well.  The one common denominator was that they all wanted to win!  

Editorial photography is what I love to do.  And this event did not disappoint. It was difficult getting quality images that showed the individual efforts and sacrifices each contestant made.  Judges wandered in and out of frame, constantly, monitoring each contestant rep to make sure it counted for score.  In addition, those that came for moral support, to cheer them on, all had cell phones, video taping the events.  It was tough and somewhat frustrating.  I did manage to get a few good images.  If you are interested in The Garage Games Series, go to their Website Here for more information and locations for the events.  Take a look below at some of the action.  

Thanks for looking and if you wish to make a comment, please do so.  My contact information can be located at the top of the page under “Contact Rick”.

Nikon Photography of Garage Games Series
Nikon D500, 17-55mm f2.8G ED, f5.6, 1/800th, ISO 250, ©Rick Lewis 2017
Garage Games Photography
Nikon D500, 17-55mm f2.8G ED, f5.6, 1/800th, ISO 320, ©Rick Lewis 2017
Photography of The Garage Games, Combat on the Coosa, 2017.
Nikon D500, 17-55mm f2.8G ED, f8, 1/800th, ISO 250, ©Rick Lewis 2017
Photography of the spectators at the Garage Games
Nikon D500, 17-55mm f2.8G ED, f5.6, 1/800th, ISO 900, ©Rick Lewis 2017
Photography of contestant at Garage Games Combat on the Coosa
Nikon D500, 17-55mm f2.8G ED, f5.6, 1/800th, ISO 560, ©Rick Lewis 2017
Photography of Dead Lift
Nikon D500, 17-55mm f2.8G ED, f5.6, 1/500th, ISO 125, ©Rick Lewis 2017
Garage Games Photography
Nikon D500, 17-55mm f2.8G ED, f5.6, 1/500th, ISO360, ©Rick Lewis 2017
Garage Games Photography
Nikon D500, 17-55mm f2.8G ED, f5.6, 1/500th, ISO 500, ©Rick Lewis 2017
CrossFit Photography
Nikon D500, 17-55mm f2.8G ED, f4, 1/500th, ISO 220, ©Rick Lewis 2017
Garage Games Nikon Photography
Nikon D500, 17-55mm f2.8G ED, f4, 1/500th, ISO 180, ©Rick Lewis 2017
Garage Games Photography
Nikon D500, 17-55mm f2.8G ED, f4, 1/500th, ISO 180, ©Rick Lewis 2017
Garage Games Photography
Nikon D500, 17-55mm f2.8G ED, f5.6, 1/800th, ISO 400, ©Rick Lewis 2017

Nikon D500 – Not Just for Birding – Alabama Editorial Photography

It’s been a while since my last post.  I’ve been meaning to do this for some time.  It seems every time I see an article about the new Nikon D500 it is about birds in flight, wildlife, or sports photography.  It almost seems as though this camera is only suited for these genres of photography.  Not so; and I’ll attempt to prove that in this post.

When the Nikon D500 was announced, I could not believe my eyes.  This camera was a long time coming and many think, too long!  (Myself included in this group.)  In 2013, after retiring from my professional career, I switched from my extensive Nikon gear (D3, D4 & a bunch of pro glass), to all Fuji APS-C gear.  I wanted to go smaller and lighter with good quality lenses and great image quality.  It seemed a no brainer.  The D500 was still just a dream.

I soon learned after investing in a Fuji X-T1, X-E2, and X-Pro2, and many lenses, that the cameras were just too small and light for me.  They produced great images but I had a very difficult time using them.  Along came the D500.  I did not want the bulk of the D810 nor did I want to spend that kind of money on a body again, so the D500 looked perfect.

I bought it, along with a used (9+) 17-55mm f2.8G ED Nikkor lens.  I later added the MB-D17 battery grip.  It’s a brick, I know, but still, a smaller brick than my beloved D4!  I paid $1995 for the D500 and only $730 for the lens off Ebay, through a trusted store.  Not a bad deal.

Most everything I was reading about the camera pertained to using long lenses, along with the incredible D5 focusing module.  These articles hit mostly on the focusing ability and really didn’t get into image quality and the real versatility of the camera.

I found the camera to be very well suited for travel, editorial and any general assignment photography a pro would come up against and certainly what any non-pro would need. From the images you’ll see it is superb at higher ISO’s and has a very wide dynamic range for an APS-C CMOS sensor.

Nikon D500, 17-55mm f2.8, 23mm, 1/250th, f5.6, -⅔ EV, 3200 ISO, ©Rick Lewis

I was able to try out the fantastic focusing abilities of the D500 at the 2016 International Firefighters Combat Challenge.  It takes a little practice but it worked flawlessly and will make any non-pro photographing their active children quite happy, not to mention the pro that needs the speed, and reach, for sports or wildlife photography.

Nikon D500, 17-55mm f2.8, 55mm, 1/500th, f5.6, 100 ISO, ©Rick Lewis

I took the camera to Old Alabama Town to see how the camera would perform at a little editorial travel photography.  Even though this is an outdoor museum, most of the interesting imagery is inside and in very dark and challenging settings.  I shot for a couple of hours and doubt I got much below 2000 ISO except for a few outdoor images.

Nikon D500, 17-55mm f2.8, 32mm, 1/250th, f6.3, 125 ISO, ©Rick Lewis

I am really impressed with the color depth and the workability of the files in post.  I processed all of these images using Adobe Lightroom CC ®.  I use VSCO presets most of the time, as a starting point, and work from there.  I tend to like high contrast, saturated, images, as you will see.  This does tend to bring out the digital “noise” in any image but I really don’t care.  I think you will see the Nikon D500 noise pattern is exceptional and, to me, looks more like film grain.  I actually like this look on my images.

Nikon D500, 17-55mm f2.8, 19mm, 1/250th, f3.2, 2200 ISO, ©Rick Lewis
Nikon D500, 17-55mm f2.8, 24mm, 1/250th, f2.8, 2200 ISO, ©Rick Lewis

Now, I know there is a lot of marketing hype by “Canikon” pushing the so called “full frame” cameras.  They do this because those cameras have a higher profit margin.  Can’t blame them for that, I guess.  But, don’t think for a minute you have to have one to get good quality images, even in very low light.  It just isn’t so any longer.  There are other reasons to own that full frame camera, of course.  But for my current needs, this D500 will be quite enough.

Nikon D500, 17-55mm f2.8, 38mm, 1/100th, f5.6, 160 ISO, ©Rick Lewis

One thing that really impressed me about this camera was the Auto ISO function.  I tend to  use this setting when not shooting in a studio.  In the early days, it was hit or miss on getting the right exposure.  Not so now.  I shoot either in manual mode, controlling both my shutter speed and aperture depending on the subject or in aperture priority, both in Auto ISO.  Shooting in RAW (NEF), I rarely have to adjust the exposure value more than a half stop.

Nikon D500, 17-55mm f2.8, 34mm, 1/50th, f4, 2200 ISO, ©Rick Lewis
Nikon D500, 17-55mm f2.8, 17mm, 1/50th, f5.6, 3200 ISO, ©Rick Lewis

The bottom line; the D500 is not just for birding. 🙂  The only real drawback that I can see is Nikon’s pathetic DX lens line up.  They are pushing the FX concept to the point that I really don’t see a follow-up to the D500.  Maybe I’m too cynical.  This camera can be a lot of things to a lot of people with just a little more attention to producing quality, fast, DX lenses, especially on the wide end.

Don’t get me wrong.  I wouldn’t turn down a Nikon D810 and a couple of pro lenses, but until someone is in a generous mood, I’ll stick with my D500 and 17-55mm f2.8G ED.